A combined model of sensory and cognitive representations underlying tonal expectations in music: from audio signals to behavior.

T Collins, B Tillmann, FS Barrett, C Delbé… - Psychological …, 2014 - psycnet.apa.org
Listeners' expectations for melodies and harmonies in tonal music are perhaps the most
studied aspect of music cognition. Long debated has been whether faster response times …

Imposing higher-level structure in polyphonic music generation using convolutional restricted boltzmann machines and constraints

S Lattner, M Grachten, G Widmer - Journal of Creative Music …, 2018 - search.informit.org
We introduce a method for imposing higher-level structure on generated, polyphonic music.
A Convolutional Restricted Boltzmann Machine (C-RBM) as a generative model is combined …

[图书][B] Stochastic processes & database-driven musicology

JA Burgoyne - 2012 - search.proquest.com
For more than a decade, music information science and musicology have been at what
Nicholas Cook has described as a'moment of opportunity'for collaboration on database …

Predictability of music descriptor time series and its application to cover song detection

J Serra, H Kantz, X Serra… - IEEE Transactions on …, 2011 - ieeexplore.ieee.org
Intuitively, music has both predictable and unpredictable components. In this paper, we
assess this qualitative statement in a quantitative way using common time series models …

Onset event decoding exploiting the rhythmic structure of polyphonic music

N Degara, MEP Davies, A Pena… - IEEE Journal of …, 2011 - ieeexplore.ieee.org
In this paper, we propose a rhythmically informed method for onset detection in polyphonic
music. Music is highly structured in terms of the temporal regularity underlying onset …

Unsupervised incremental online learning and prediction of musical audio signals

R Marxer, H Purwins - IEEE/ACM Transactions on Audio …, 2016 - ieeexplore.ieee.org
Guided by the idea that musical human-computer interaction may become more effective,
intuitive, and creative when basing its computer part on cognitively more plausible learning …

[PDF][PDF] LL: Listening and learning in an interactive improvisation system

N Collins - Listening and Learning System, 2011 - composerprogrammer.com
Machine listening and machine learning are critical aspects in seeking a heightened
musical agency for new interactive music systems. This paper details LL …

[PDF][PDF] Unsupervised generation of percussion sound sequences from a sound example

M Marchini, H Purwins - Sound and Music Computing Conference, 2010 - mtg.upf.edu
In this paper we present a system that learns rhythmic patterns from drum audio recording
and synthesizes music variations from the learnt sequence. The procedure described is …

[图书][B] Identification of versions of the same musical composition by processing audio descriptions

J Serrà Julià - 2011 - tdx.cat
This work focuses on the automatic identification of musical piece versions (alternate
renditions of the same musical composition like cover songs, live recordings, remixes, etc.) …

Unsupervised analysis and generation of audio percussion sequences

M Marchini, H Purwins - … Symposium, CMMR 2010, Málaga, Spain, June …, 2011 - Springer
A system is presented that learns the structure of an audio recording of a rhythmical
percussion fragment in an unsupervised manner and that synthesizes musical variations …