This may be the author’s version of a work that was submitted/accepted for publication in the
following source: O’Connor, Ju Page 1 This may be the author’s version of a work that was …

Creative Partnerships aims to develop schoolchildren's potential, ambition, creativity and
imagination. It achieves this by building sustainable partnerships between schools, creative …

This study aims to determine the concept of creative economy development in Indonesia
after the COVID-19 pandemic based on management strategies, policies, and the role of …

Early in 2009, Denis and I had coffee outside a little café in Padua, Italy. We were attending
a symposium organized by the European Journal of Communication on the consequences …

Creative Justice examines issues of inequality and injustice in the cultural industries and
cultural workplace. It first aims to 'do justice'to the kinds of objects and texts produced by …

In the last decade our mobile phones have been infiltrated by angry birds, our computers by
leagues of legends and our social networks by pleas for help down on the farm. As digital …

Профессор Университета Лидса (Великобритания) Дэвид Хезмондалш проводит
анализ изменений в культурных индустриях начиная с 1980-х годов, а также …

Narratives are everywhere--and since a significant part of contemporary media culture is
defined by narrative forms, media studies need a genuinely transmedial narratology. Against …

Understanding social media requires us to engage with the individual and collective
meanings that diverse stakeholders and participants give to platforms. It also requires us to …

When Ghostbusters returned to the screen in 2016, some male fans of the original film
boycotted the all-female adaptation of the cult classic, turning to Twitter to express their …