This review deals with the question of the relative vs absolute nature of crossmodal
correspondences, with a specific focus on those correspondences involving the auditory …

When people make cross-modal matches from classical music to colors, they choose colors
whose emotional associations fit the emotional associations of the music, supporting the …

The research communities studying visualization and sonification for data display and
analysis share exceptionally similar goals, essentially making data of any kind interpretable …

Each of our senses is “blind” to some features of objects and events (eg, hearing can tell us
little or nothing about the shape, color, and weight of an object, or about how it might taste or …

Human movements spontaneously entrain to auditory rhythms, which can help to stabilise
movements in time and space. The properties of auditory rhythms supporting the occurrence …

Everyday language reveals how stimuli encoded in one sensory feature domain can
possess qualities normally associated with a different domain (eg, higher pitch sounds are …

The literature on developmental synesthesia has seen numerous sensory combinations,
with surprisingly few reports on synesthesias involving affect. On the one hand, emotion, or …

One of the commonly used visualization techniques for multivariate data is the parallel
coordinates plot. It provides users with a visual overview of multivariate data and the …

The connection between emotion and music runs deep, and despite a growing body of
research, the influence of musical structure on emotion perception is only partially …

Amodal (redundant) and arbitrary cross‐sensory feature associations involve the context‐
insensitive mapping of absolute feature values across sensory domains. Cross‐sensory …