On the relative nature of (pitch-based) crossmodal correspondences
C Spence - Multisensory Research, 2019 - brill.com
This review deals with the question of the relative vs absolute nature of crossmodal
correspondences, with a specific focus on those correspondences involving the auditory …
correspondences, with a specific focus on those correspondences involving the auditory …
Color, music, and emotion: Bach to the blues
When people make cross-modal matches from classical music to colors, they choose colors
whose emotional associations fit the emotional associations of the music, supporting the …
whose emotional associations fit the emotional associations of the music, supporting the …
Open Your Ears and Take a Look: A State‐of‐the‐Art Report on the Integration of Sonification and Visualization
The research communities studying visualization and sonification for data display and
analysis share exceptionally similar goals, essentially making data of any kind interpretable …
analysis share exceptionally similar goals, essentially making data of any kind interpretable …
Cross-sensory correspondences: A theoretical framework and their relevance to music.
P Walker - Psychomusicology: Music, Mind, and Brain, 2016 - psycnet.apa.org
Each of our senses is “blind” to some features of objects and events (eg, hearing can tell us
little or nothing about the shape, color, and weight of an object, or about how it might taste or …
little or nothing about the shape, color, and weight of an object, or about how it might taste or …
Effects of pitch and tempo of auditory rhythms on spontaneous movement entrainment and stabilisation
Human movements spontaneously entrain to auditory rhythms, which can help to stabilise
movements in time and space. The properties of auditory rhythms supporting the occurrence …
movements in time and space. The properties of auditory rhythms supporting the occurrence …
Cross-sensory correspondences: Heaviness is dark and low-pitched
Everyday language reveals how stimuli encoded in one sensory feature domain can
possess qualities normally associated with a different domain (eg, higher pitch sounds are …
possess qualities normally associated with a different domain (eg, higher pitch sounds are …
Affect-related synesthesias: a prospective view on their existence, expression and underlying mechanisms
The literature on developmental synesthesia has seen numerous sensory combinations,
with surprisingly few reports on synesthesias involving affect. On the one hand, emotion, or …
with surprisingly few reports on synesthesias involving affect. On the one hand, emotion, or …
Parallel Chords: an audio-visual analytics design for parallel coordinates
One of the commonly used visualization techniques for multivariate data is the parallel
coordinates plot. It provides users with a visual overview of multivariate data and the …
coordinates plot. It provides users with a visual overview of multivariate data and the …
The influence of mode and musical experience on the attribution of emotions to melodic sequences.
IC Straehley, JL Loebach - Psychomusicology: Music, Mind, and …, 2014 - psycnet.apa.org
The connection between emotion and music runs deep, and despite a growing body of
research, the influence of musical structure on emotion perception is only partially …
research, the influence of musical structure on emotion perception is only partially …
Newborns are sensitive to the correspondence between auditory pitch and visuospatial elevation
Amodal (redundant) and arbitrary cross‐sensory feature associations involve the context‐
insensitive mapping of absolute feature values across sensory domains. Cross‐sensory …
insensitive mapping of absolute feature values across sensory domains. Cross‐sensory …