Music information retrieval (MIR) has a great potential in musical live coding because it can
help the musician–programmer to make musical decisions based on audio content analysis …

This article presents a new software toolbox to enable programmatic mining of sound banks
for musicking and musicking-driven research. The toolbox is available for three popular …

Machine-learning models of music often exist outside the worlds of musical performance
practice and abstracted from the physical gestures of musicians. In this work, we consider …

Nearly two decades after its inception as a workshop at the Association for Computing
Machinery Conference on Human Factors in Computing Systems, New Interfaces for …

This article presents design and performance practices for movement-based digital musical
instruments. We develop the notion of borrowed gestures, which is a gesture-first approach …

A comparison is made between two systems of real-time sample selection using timbral
proximity that has relevance for live performance. Sound files in large sample libraries are …

The widespread adoption of mobile devices, such as smartphones and tablets, has made
touchscreens a common interface for musical performance. Although new mobile music …

Nonlinear dynamic processes are fundamental to the behavior of acoustic musical
instruments, as is well explored in the case of sound production. Such processes may have …

We present the second iteration of a Touch-Responsive Augmented Violin Interface System,
called TRAVIS II, and two compositions that demonstrate its expressivity. TRAVIS II is an …

In this article, we introduce the coadaptive audiovisual instrument, CAVI. This instrument
uses deep learning to generate control signals based on muscle and motion data of a …