Rhythm and pitch in music cognition.

CL Krumhansl - Psychological bulletin, 2000 - psycnet.apa.org
Rhythm and pitch are the 2 primary dimensions of music. They are interesting
psychologically because simple, well-defined units combine to form highly complex and …

Musical predispositions in infancy

SE Trehub - Annals of the New York academy of sciences, 2001 - Wiley Online Library
Some scholars consider music to exemplify the classic criteria for a complex human
adaptation, including universality, orderly development, and special‐purpose cortical …

[图书][B] Music, language, and the brain

AD Patel - 2010 - books.google.com
In the first comprehensive study of the relationship between music and language from the
standpoint of cognitive neuroscience, Aniruddh D. Patel challenges the widespread belief …

[图书][B] The cognition of basic musical structures

D Temperley - 2004 - books.google.com
In this book, David Temperley addresses a fundamental question about music cognition:
how do we extract basic kinds of musical information, such as meter, phrase structure …

Implicit learning of tonality: a self-organizing approach.

B Tillmann, JJ Bharucha, E Bigand - Psychological review, 2000 - psycnet.apa.org
Tonal music is a highly structured system that is ubiquitous in our cultural environment. We
demonstrate the acquisition of implicit knowledge of tonal structure through neural self …

[图书][B] Music, thought, and feeling: Understanding the psychology of music

WF Thompson - 2015 - psycnet.apa.org
Examining the intersection of music, psychology, and neuroscience, Music, Thought, and
Feeling, Second Edition, surveys the rapidly growing field of music cognition and explores …

[图书][B] Music and probability

D Temperley - 2007 - books.google.com
In Music and Probability, David Temperley explores issues in music perception and
cognition from a probabilistic perspective. The application of probabilistic ideas to music has …

An event-related potential (ERP) study of musical expectancy: Comparison of musicians with nonmusicians.

M Besson, F Faïta - Journal of Experimental Psychology: Human …, 1995 - psycnet.apa.org
Musicians and nonmusicians listened to musical phrases that were either selected from the
classical repertoire or composed for the experiments. The phrases ended either congruously …

The origins of music: Innateness, uniqueness, and evolution

J McDermott, M Hauser - Music perception, 2005 - online.ucpress.edu
THE ORIGINS and adaptive significance of music, long an elusive target, are now active
topics of empirical study, with many interesting developments over the past few years. This …

[HTML][HTML] The psychological basis of music appreciation: Structure, self, source.

WF Thompson, NJ Bullot, EH Margulis - Psychological Review, 2023 - psycnet.apa.org
Research has investigated psychological processes in an attempt to explain how and why
people appreciate music. Three programs of research have shed light on these processes …