This chapter explores three systems for mapping embodied gesture, acquired with
electromyography and motion sensing, to sound synthesis. A pilot study using granular …

We present DRAWSOCKET, a new platform for generating synchronized, browser-based
displays across an array of networked devices developed at the Hochschule für Musik und …

O7 is a new implementation of the OpenMusic computer-aided composition environment.
This paper gives a general presentation of its visual programming framework, musical …

We present SYMBOLIST, a graphic notation environment for music and multimedia.
SYMBOLIST is based on an Open Sound Control (OSC) encoding of symbols representing …

This paper proposes a distributed system design for mixed ensemble music composition
and performance of stavebased dynamic scores. ZScore is a collection of third-party and …

Marker-based motion capture systems that stream precise movement data in real-time afford
interaction scenarios that can be subtle, detailed, and immediate. However, challenges to …

We present modosc, a set of Max abstractions designed for computing motion descriptors
from raw motion capture data in real time. The library contains methods for extracting …

Human-computer interaction (HCI) is evolving towards more natural, social, and user-
centered interactions, specifically focusing on the use of the entire body as an interface. Full …

Cet article aborde le sujet de la programmation dans l'environnement Max: on analysera
son modèle de calcul, on présentera quelques stratégies d'implémentation de processus …

This paper endeavours to discuss a few available technologies for musical notation, from a
user's point of view, focusing on" distributed notation": musical notation rendered in real time …