Since the early transformation of European music practice and theory in the cultural centers
of Asia, Latin America, and Africa around 1900, it has become necessary for music history to …

In the public debate, the relevance of the topics of musical interculturality and musical
globalization seems to have faded in many places, to be replaced by a technology-centered …

ABSTRACT Herbert Henck's (1980) analysis of Karlheinz Stockhausen's Klavierstück X
(1961) offers a fascinating insight into the composer's compositional process at an important …

Research in musical performance studies has generated a healthy scepticism of the
importance of large‐scale structure to performance (in terms of both interpretation and …

This thesis demonstrates the ways in which sound and sonic procedures represent the Self
and its crisis in the works of Salvatore Sciarrinio (b. 1947) and Helmut Lachenmann (b …

Arnold Schoenberg's Sechs kleine Klavierstücke (Six Little Piano Pieces), op. 19 (1911),
offer a fruitful case study to examine and categorize performers' strategies in regard to their …

New Music inherently challenges norms of performance practice, expression, interpretation,
perception, and audience reception. Given the centrality of these themes to musical …

138 Christian Utz in space or triggered by physical forces that produce noise components
even in seemingly 'pure'pitched sounds. Ultimately, a broad definition of sound may …

The recent new edition of Helmut Lachenmann's Salut für Caudwell (1977) published in
Breitkopf & Härtel (2020) by guitarist-researcher Seth Josel has renewed public attention on …

Recent theoretical and critical re-evaluations of musical structure have fostered a new
understanding of the concept: it has been argued that structure is best understood as a …