В статье рассмотрено понятие «партиципации» в контексте современной культуры и
искусства. Показано, что партиципация становятся ключевым понятием при …

This book develops an original theory of performative beauty. Philosophical aesthetics has
largely neglected one's own actions as a potential experience of the beautiful. Throughout …

Immersive experiences in theatre and digital games are often characterized by immediacy in
space and time, focusing on the imminent action of the here and now. Live action roleplay …

The main aim of this chapter is to introduce the pragmatist aesthetic of sound. It draws on the
classical American pragmatism of John Dewey and GH Mead setting it in the dialogue with …

This chapter approaches the politics of participation in sound art from a postcritical
perspective. It employs Sruti Bala's theory of gesture—an action that is at the same time …

The article's form is a dialogue among five scholars of somaesthetics. The dialogue's topic is
somaesthetics and methodology, addressing questions such as: What are the relevant …

Resumé The article asks whether participatory art radically alters the character of the work of
art. This question is first explored through the concept of the aesthetic work of art that …

The chapter argues that the aesthetics of participatory art discloses a veiled and hidden
aspect of Kantian aesthetics. Kant regarded the purposeless interplay of imagination and …

1.1 Background The development of optical equipment from the 15th century to the 19th
century has often influenced the practice of painting, and the emergence of photographic …

Whether singing, playing an instrument, or dancing, sound has been interactive through
most of human history. While the twentieth century has been dominated by linear media …