Since the early transformation of European music practice and theory in the cultural centers
of Asia, Latin America, and Africa around 1900, it has become necessary for music history to …

Am Anfang meiner Überlegungen zu dieser sowohl musikphilosophischen als auch
musikanalytischen Untersuchung stand die Fragestellung, wie sich musikalische Form in …

The present article aims to develop an approach to musical meaning that integrates
performative dimensions systematically into a broadened concept of analysis, connecting …

In the public debate, the relevance of the topics of musical interculturality and musical
globalization seems to have faded in many places, to be replaced by a technology-centered …

138 Christian Utz in space or triggered by physical forces that produce noise components
even in seemingly 'pure'pitched sounds. Ultimately, a broad definition of sound may …

In der vorliegenden Analyse von Helmut Lachenmanns Orchesterkomposition Schreiben.
Musik für Orchester (2002–03, revidiert 2004/05) untersuche ich das Verhältnis von Klang …

Körperliche Dimensionen von Musik als einer sich in Raum und Zeit vollziehenden, somit
einer wenn auch nicht sichtbaren, so doch hörbaren Bewegungskunst treten in keiner …

La individuación del instrumento musical en la creación experimental. Hacia una poética de
la diferencia Desde el final de la Segunda Guerra Mundial, el instrumento musical ha ido …

A pesquisa aqui apresentada visa, num primeiro momento, levantar uma investigação
acerca de algumas noções e técnicas composicionais propostas pelo compositor alemão …

Throughout European music history many situations have arisen in which the question as to
why and how vocal music is composed assumed particular urgency—situations leading to …