" In From Grain to Pixel, Giovanna Fossati analyzes the transition from analog to digital film
and its profound effects on filmmaking and film archiving. Reflecting on the theoretical …

What have Lumière in common with Wachowski? More than one hundred years separate
these two pairs of brothers who astonished, quite similarly, the film spectator of their …

Few living philosophers have been featured in films: Jean Luc Godard's Vivre sa Vie (1962)
has Brice Parrain talk to Anna Karina in a caf é, and in La Chinoise (1968) Francis Jeanson …

A young man stands looking out onto a film set. We cannot see his face, and his name has
disappeared into the back rooms of history. But this silhouetted figure is the protagonist of an …

This essay constitutes the epilogue to the forthcoming book Film History as Media
Archaeology–Tracing Digital Cinema, Thomas Elsaesser's collected essays on media …

This editorial introduces this special edition of Holocaust Studies, which reflects on how
bringing concerns central to the fields of Digital Media, Communication and Cultural Studies …

Simply put, cinephilia is the love of cinema. However, like all kinds of love, there is in fact
nothing simple about it. An affectively driven response to the cinema—itself a fleeting, ever …

Bu çalışmada seyirci sadece filmle, sinema mekânıyla veya diğer seyircilerle etkileşimde
bulunan değil, sinemaya giden kişi olarak tanımlanmış ve buradan hareketle bir işletme …

In this innovative book, Gundula Kreuzer argues for the foundational role of technologies in
the conception, production, and study of nineteenth-century opera. She shows how …

The kaleidoscope, the stereoscope, and other nineteenth-century optical toys analyzed as
“new media” of their era, provoking anxieties similar to our own about children and screens …