This chapter explores musical interactivity as a form of" participatory sense-making". It
introduces the notions of participatory sense-making and mutual incorporation in the context …

In this paper we argue that our comprehension of musical participation—the complex
network of interactive dynamics involved in collaborative musical experience—can benefit …

The conceptual resources of '4E'music cognition–ie the embodied, embedded, extended,
and enactive paradigms–have offered a rich set of tools to explore the nature of musical …

In this paper we offer a preliminary framework that highlights the relational nature of solo
music-making, and its associated capacity to influence the constellation of habits and …

In this paper we offer a preliminary framework that highlights the relational nature of solo
music-making, and its associated capacity to influence the constellation of habits and …

In this paper we argue that our comprehension of musical participation—the complex
network of interactive dynamics involved in collaborative musical experience—can benefit …

For many people, music is a source of pleasure and intense, positive emotions. Our Western
conceptualizations of music have long emphasized its positive role in human experiences …

Este artigo versa sobre a agência rítmica individual e coletiva em experimentos que unem
cultura e tecnologia, a partir da dança-música do Coco de Roda brasileiro. Cruzando …

The expression of the moving body not only exists in music interaction and performance but
also diversifies the practice of music-making. The majority of instrumental practice centers …

In this paper, we present an interactive performative ecosystem for two musicians, based on
neural networks which estimate parameters for a virtual synthesiser mimicking the …