Threnody and the Aesthetics of Interculturality in Twenty-First-Century East Asian Composition

HS Oh - Acta Musicologica, 2017 - JSTOR
A comparative study of three commemorative compositions—Tai-Bong Chung's Requiem II
(2014), Toshio Hosokawa's Threnody (2011), and Bright Sheng's Nanking …

National Cultural Memory in Late-Twentieth-Century East Asian Composition: Isang Yun, Hosokawa Toshio and Zhu Jian'er

H Yi - the world of music, 2017 - JSTOR
In the post-World War II period, non-European aesthetics and musical structures became an
important resource for European art music composition worldwide. Ensconced in the …

Introduction: Voice, Identities, and Reflexive Globalization in Contemporary Music Practices

C Utz, F Lau - Vocal Music and Contemporary Identities, 2013 - taylorfrancis.com
Raising one's voice to “articulate” oneself by speaking, singing, whispering, murmuring,
crying, shouting, or screaming seems to be among the most natural and widely established …

[HTML][HTML] Musikalisches Zitat als kulturelle Assoziation: Die ästhetische Bedeutung des musikalischen Zitats in der koreanischen Musik des 20. und 21. Jahrhunderts

HS Oh - Zeitschrift der Gesellschaft für Musiktheorie [Journal of …, 2012 - gmth.de
Musical quotation, as a technique of using the pre-existing materials in the music
composition, has an important significance in both quantitative and qualitative aspects since …

The Great Highland Bagpipe and the Orchestra

C Feys - International Review of the Aesthetics and Sociology of …, 2021 - JSTOR
Since the nineteen seventies and eighties the Great Highland bagpipe has increasingly
been used in classical music. Following this evolution, this article studies how composers …

[PDF][PDF] Sozialisationsinstanzen in der musikalischen Talententwicklung

K Annatina - 2022 - researchgate.net
In der gegenwärtigen Wissenschaft besteht weitgehend Einigkeit darüber, dass für die
Entfaltung musikalischer Potenziale neben Lernprozessen und intrapersonalen Faktoren …

Tan Dun-Éléments de style

J Amblard - 2019 - hal.science
Le compositeur Tan Dun ne dessine pas seulement ce pont exemplaire entre Est (Chine) et
Ouest (USA), à l'heure de la mondialisation. Il incarne également d'autres synthèses …

탄둔(Tan Dun) 의오페라《 진시황제》 연구

김석영 - 2019 - s-space.snu.ac.kr
민족주의, 포스트식민주의, 글로벌리즘, 상호문화성 등의 담론들이 본격화된 20 세기. 글로벌
시대에 발맞춰 동아시아 현대음악 작곡가들은 자국의 전통과 서양음악을 융합한 작품을 …

[PDF][PDF] 중국현대음악'뉴웨이브'(New Wave) 경향에나타난상호문화성미학

오희숙 - academia.edu
중국 현대음악 ‘뉴 웨이브’(New Wave) 경향에 나타난 상호문화성 미학 Page 1 국 현대음악 ‘뉴
웨이브’(New Wave) 경향에 나타난 상호문화성 미학 65 중국 현대음악 ‘뉴 웨이브’(New Wave) …

Musikalisches Zitat als kulturelle Assoziation

HS Oh - ZGMTH Zeitschrift der Gesellschaft für Musiktheorie, 2014 - books.google.com
Musical quotation, as a technique of using the pre-existing materials in the music
composition, has an important significance in both quantitative and qualitative aspects since …