Honorable Mention, Latin American Studies Association Mexico Section Best Book in the
Humanities After the end of the Mexican Revolution in 1917, postrevolutionary leaders …

Honorable Mention, Latin American Studies Association Mexico Section Best Book in the
Humanities How collaborations between dancers and painters shaped cultural identity in …

This article approaches whiteness in Mexico as the legacy of both the economic and
ideological dimensions of the coloniality of power. Mexican cinema, though traditionally an …

Diego Rivera's 1929 frescoes in the boardroom and the laboratory at the Mexican Ministry of
Health building are among the least studied and most enigmatic of his works. Painted at a …

This chapter argues that the linguistic landscape provides verbal and visual input for
language learning. Language learners may benefit from activities based on the art present …

This article explores the “agency of display” by analyzing key moments in the exhibition of
popular art in Mexico's museums from the immediate postrevolutionary period through the …

The audience for murals includes the cultural tourists so desired by urban and regional
policy-makers around the world. The association of murals with'the people,'the collaborative …

The last few decades of the past century marked the beginning of a growing interest in
qualitative methods of research in education, of which hermeneutic phenomenology is a …

“In the community, people were mobilizing in the most creative ways in spite of those who
would discredit our work, and in the wake of the recent police violence, at City Hall, we were …

Amidst the violence of the Mexican Revolution, the poet José Juan Tablada published
Mexico's first modern artist's book and art book: Hiroshigué: El pintor de la nieve, de la lluvia …