To auralise a room's acoustics in six degrees-of-freedom (6DoF) virtual reality (VR), a dense
set of spatial room impulse response (SRIR) measurements is required, so interpolating …

The acoustics of coupled rooms is often more complex than single rooms due to the
increase in features such as double-slope decays, direct sound occlusion and anisotropic …

Six-degrees-of-freedom rendering of an acoustic environment can be achieved by
interpolating a set of measured spatial room impulse responses (SRIRs). However, the …

Few studies that employ virtual acoustic rendering systems accurately specify motionto-
sound latency. To make such assessments more common, we present two methods for …

Acquiring information about an acoustic environment without conducting dedicated
measurements is an important problem of forthcoming augmented reality applications, in …

Understanding perceived room acoustical similarity is crucial to generating perceptually
optimized audio rendering algorithms that maximize the perceived quality while minimizing …

Typically, evaluation of spatial audio systems uses the same source signal for each
condition in listening comparison tests (such as ABX and MUSHRA). However in an …

In audio for augmented reality (AR), virtual sound sources should be seamlessly
incorporated into a real acoustic environment, exhibiting acoustic properties that match …

We present an open DIY platform for augmented reality audio in the form of ultralight
acoustically transparent headphones and a minimalist hardware platform serving as USB …

Audio-visual rendering of virtual environments with 6 degrees of freedom has been possible
for some years and increasing in its quality. Typcial scientific experiments focus on either …