What has long been considered a foregone conclusion in other areas of research is today
also true for design: the proof of the pudding is in the eating. It is no longer suffi cient to …

Auch in der Designforschung gilt inzwischen, was für andere Forschungsbereiche längst
selbstverständlich ist:«the proof of the pudding is in the eating». Denn es reicht nicht mehr …

Here we discuss multidisciplinary work on a sensoaesthetic theory of materials, studying
and unraveling the interconnected nature of how we perceive the sensorial aspects of …

Abstract DIY (do-it-yourself) craft is in the midst of a North American renaissance, and the
reasons attributed to the phenomenon's meteoric rise are manifold. Thrift, conspicuous …

The valorization of the preindustrial that contributed to the late 1960s and early 1970s
revival of the handmade can also be viewed in light of the political and social tensions of the …

Abstract UK D&T curricula are largely predicated on developing in pupils designing and
making skills and knowledge that are derived from industrial design (and, to some extent …

Trotz aller Bemühungen von Gestaltern1, Produzenten und Kommunikatoren, Produkte
gezielt mit einer Aussage zu versehen, wird diese letztlich vom Nutzer konstruiert. Dabei …

Today's society is characterised by the production of massive amounts of information—freely
transferred—and instant access to knowledge. This current overproduction of data is …

Pretende-se analisar neste estudo se é possível desenvolver produtos a partir da
reciclagem de cristal com 30% de Chumbo resultante do excedente de produção nacional …

Sustainability has become one of the core concerns of 21st century designers and makers.
However, it is still evident that not every designer considers a choice of sustainable …