This article proposes a parametric signal-dependent method for the task of encoding
microphone array signals into Ambisonic signals. The proposed method is presented and …

This article proposes a system for object-based six-degrees-of-freedom (6DoF) rendering of
spatial sound scenes that are captured using a distributed arrangement of multiple …

Current methods for immersive playback of spatial sound content aim at flexibility in terms of
encoding and decoding, abstracting the two from the recording or playback setup …

In this article, the application of spatial covariance matching is investigated for the task of
producing spatially enhanced binaural signals using head-worn microphone arrays. A two …

Ultrasonic sources are inaudible to humans, and while digital signal processing techniques
are available to bring ultrasonic signals into the audible range, there are currently no …

Regarding the reproduction of recorded or synthesised spatial sound scenes, perhaps the
most convenient and flexible approach is to employ the Ambisonics framework. The …

Spatial audio coding and reproduction methods are often based on the estimation of primary
directional and secondary ambience components. This paper details a study into the …

This paper proposes an algorithm for rendering spread sound sources, which are mutually
incoherent across their extents, over arbitrary playback formats. The approach involves first …

This article formulates and evaluates four different methods for six-degrees-of-freedom
binaural reproduction of head-worn microphone array recordings, which may find …

In order to transmit sound-scenes encoded into the higher-order Ambisonics (HOA) format to
low-bandwidth devices, transmission codecs are needed to reduce data requirements …