Electro/acoustic improvisation and deeply listening machines

D Van Nort, P Oliveros, J Braasch - Journal of New Music …, 2013 - Taylor & Francis
In this paper we discuss our approach to designing improvising music systems whose
intelligence is centred around careful listening, particularly to qualities related to timbre and …

Making music through real-time voice timbre analysis: machine learning and timbral control

D Stowell - 2010 - qmro.qmul.ac.uk
People can achieve rich musical expression through vocal sound {see for example human
beatboxing, which achieves a wide timbral variety through a range of extended techniques …

miMic: The microphone as a pencil

D Rocchesso, DA Mauro, SD Monache - … of the TEI'16: Tenth International …, 2016 - dl.acm.org
miMic, a sonic analogue of paper and pencil is proposed: An augmented microphone for
vocal and gestural sonic sketching. Vocalizations are classified and interpreted as instances …

Modular reality: Analogues of patching in immersive space

M Palumbo, A Zonta, G Wakefield - Journal of New Music …, 2020 - Taylor & Francis
Despite decades of virtual reality (VR) research, current creative workflows remain far from
VR founder Jaron Lanier's musically inspired dream of collaboratively 'improvising …

Voice Controlled interface for Digital Musical Instrument

S Fasciani - 2014 - scholarbank.nus.edu.sg
In recent decades, the sonic capabilities of digital musical instruments have significantly
increased and today musicians confront a very high dimensional control space for …

Automatic conversion of pop music into chiptunes for 8-bit pixel art

SY Su, CK Chiu, L Su, YH Yang - 2017 IEEE International …, 2017 - ieeexplore.ieee.org
In this paper, we propose an audio mosaicing method that converts Pop songs into a
specific music style called “chiptune,” or “8-bit music.” The goal is to reproduce Pop songs by …

Non-speech voice for sonic interaction: a catalogue

AD Piccolo, D Rocchesso - Journal on Multimodal User Interfaces, 2017 - Springer
This paper surveys the uses of non-speech voice as an interaction modality within sonic
applications. Three main contexts of use have been identified: sound retrieval, sound …

Simone: un instrument distribué pour l'étude des interactions improvisées collectives

A Golvet, B Matuszewski, F Bevilacqua - Journées d'Informatique …, 2023 - hal.science
Nous présentons Simone [simOn], un système Web pour l'improvisation collective en réseau
basé sur des entrées audio (microphone). Inspirés par plusieurs exemples de systèmes de …

Music retiler: Using NMF2D source separation for audio mosaicing

HF Aarabi, G Peeters - Proceedings of the Audio Mostly 2018 on Sound …, 2018 - dl.acm.org
Musaicing (music mosaicing) aims at reconstructing a target music track by superimposing
audio samples selected from a collection. This selection is based on their acoustic similarity …

A reliable singing voice-driven MIDI controller using electroglottographic signal

K Kehrakos, C Chousidis, S Kouzoupis - Audio Engineering Society …, 2016 - aes.org
Modern synthesizers and software created a need for encoding musical performance.
However, human singing voice, which is the dominant means of musical expression, lacks a …