This paper argues that a new paradigm for HCI research, which we label the'practice'
perspective, has been emerging in recent years. This stands in contrast to the prevailing …

Performing and listening to music occurs in specific situations, requiring specific media.
Empirical research on music listening and appreciation, however, tends to overlook the …

(Angell, 1906, pp. 154-155, quoted in Kubovy & Van Valkenburg, p. 100). Sound would thus
almost inevitably activate visual and kinetic imagery. Support for such notions of cross …

This article presents results from an ongoing exploratory analysis of ancillary gestures of
several advanced clarinetists playing standard concert solo repertoire. We build upon our …

This paper presents research using full body skeletal movements captured using video-
based sensor technology developed by Vicon Motion Systems, to train a machine to identify …

Body movements during music performance have been found to be indicative of the
performer's musical intentionality, and contribute to an observer's perception of expressive …

EMOTIONAL EXPRESSION IN MUSIC PERFORMANCE includes important cues arising
from the body movement of the musician. This movement is related to both the musical score …

It is commonly argued that music originated in human evolution as an adaptation to selective
pressures. In this paper we present an alternative account in which music originated from a …

In previous work, scholars of music have identified gesture as a core component of musical
meaning formation (Pratt 1931/1968; Truslit 1938; Coker 1972; Broeckx 1981; Hatten 1994; …

An undeniable, fundamental properly of music is that it requires time to exist. Any definition
of music must include this properly, even if by implication. For example, the well-worn …