The computer has long been considered an extremely attractive tool for creating,
manipulating, and analyzing sound. Its precision, possibilities for new timbres, and potential …

ChucK is a programming language designed for computer music. It aims to be expressive
and straightforward to read and write with respect to time and concurrency, and to provide a …

This contribution attempts to give an overview of current research trends and open research
problems in the rich field of Sound and Music Computing (SMC). To that end, the field is …

This paper first introduces two previous software-based music instruments designed by the
author, and analyses the crucial importance of the visual feedback introduced by their …

Cet article présente l'ensemble du projet MUSICOLL (MUSIque temps réel, COLLaborative
et nomade), qui vise à repenser la création audionumérique en musique temps réel dans sa …

Distributed performance occurs when a group of artists and audiences in geographically
separated locations collaborate with each other in virtual performance spaces. A pre …

Online communicative practices have succeeded in placing relationships between
individuals and communities inside a new public space. They have also attenuated the …

Research regarding liveness and embodiment in electronic music has tended to explore the
relationship of bodies and instruments, audience perception, interfaces, and shifting …

This thesis is about the design of software which enables groups of people to make music
together. Networked musical interaction has been an important aspect of Sound and Music …

Under the conditions of its geographic distribution, the “telematic performance” can be
regarded as a remediation of traditional concert, theater or dance formats. Conversely, and …