Art, ambiguity and transformation
C Gosden - Art in the Eurasian Iron Age: context, connections and …, 2020 - torrossa.com
Iron Age cultures were large, connected, volatile, varied and contested. After 150 years or
more of concerted study we are only just getting a sense of what life in the 1st millennium BC …
more of concerted study we are only just getting a sense of what life in the 1st millennium BC …
Vision and visual experience in European Celtic Art: towards new interpretations from neuro-atypical perspectives
T Romankiewicz - World Archaeology, 2020 - Taylor & Francis
Analysing ancient art offers views into the visual worlds of its makers. The cusps and swirls
typical of European Celtic Art have been interpreted as abstractions of faces and creatures …
typical of European Celtic Art have been interpreted as abstractions of faces and creatures …
Introduction: context, connections and scale
Around 500 BC a new mode of visual expression emerged in Europe. To the north of the
Alps, craftspeople began to decorate objects in ways that were strikingly different from the …
Alps, craftspeople began to decorate objects in ways that were strikingly different from the …
Refugees, networks, politics and east–west connections in Early Celtic art: Paul Jacobsthal's 'History of a Monster'in context
S Crawford, K Ulmschneider - Art in the Eurasian Iron Age: Context …, 2020 - torrossa.com
Abstract In 1938, German Jewish refugee scholar Paul Jacobsthal, recently appointed
Reader in Celtic Archaeology at the University of Oxford, gave a paper to the Oxford …
Reader in Celtic Archaeology at the University of Oxford, gave a paper to the Oxford …
New Book Chronicle
C Nesbitt - antiquity, 2019 - cambridge.org
As the year draws to a close and thoughts turn to endings and new beginnings, Late
Antiquity came to mind as a theme for exploration. As a period of shifting fortunes and …
Antiquity came to mind as a theme for exploration. As a period of shifting fortunes and …