In this paper, we outline a theoretical account of the relationship between technology and
human musicality. An enactive and biocultural position is adopted that assumes a close …

Interaction design patterns have evolved as a resource that facilitates documentation and
the reuse of proven solutions. They provide a structured and understandable mechanism for …

This volume features a diversity of proposals gathered around the current efforts in
ubiquitous music (or ubimus) research. Three papers provide contributions to timbre …

Two recent approaches to interaction design have good potential to address creative
practice in everyday settings: interaction aesthetics and ubiquitous music. We discuss the …

We present results of a ten-month design study targeting the observation of creative artistic
practice by a video-artist, a sculptor and a composer. The study yielded the multimedia …

We tackle the theoretical implications of an emergent field of study, ubiquitous music
(ubimus). Striving to place musical research within the wider field of creativity studies, this …

This paper focuses on the prototyping stage of the design cycle of ubiquitous music
ecosystems. The authors present three case studies of prototype deployments for creative …

INTRODUCTION: In this paper we discuss concepts and practices that point to a new field of
ubiquitous music (ubimus) research centered on domestic settings. OBJECTIVES: The …

In line with the efforts from the Ubiquitous Music Group, our research identified recurring
patterns of interaction between humans and computing devices in existing music software …

The present chapter offers a review of current concepts of ubiquitous music (ubimus)–based
on ecological cognition and semantics-oriented strategies–as they apply to educational …