This paper discusses the design of the Singing Knit, a wearable knit collar for measuring a
singer's vocal interactions through surface electromyography. We improve the ease and …

This paper describes the development of CAVI, a coadaptive audiovisual instrument for
collaborative human-machine improvisation. We created this agent-based live processing …

Through experience, the techniques used by professional vocalists become highly ingrained
and much of the fine muscular control needed for healthy singing is executed using well …

This paper investigates sound and music interactions arising from the use of
electromyography (EMG) to instrumentalise signals from muscle exertion of the human body …

Multi-sensory experiences underpin embodiment, whether with the body itself or
technological extensions of it. Vocalists experience intensely personal embodiment, as …

We investigated how the action–sound relationships found in electric guitar performance
can be used in the design of new instruments. Thirty-one trained guitarists performed a set of …

With the recent advent of research focusing on the body's significance in music, the
integration of physiological sensors in the context of empirical methodologies for music has …

We present a systematic review of voice-centered NIME publications from the past two
decades. Musical expression has been a key driver of innovation in voice-based …

This paper introduces my PhD research on the relationship which vocalists have with their
voice. The voice, both instrument and body, provides a unique perspective to examine …

This paper describes the development of an interactive textile instrument called Pain
Creature. The instrument is the result of a collaboration between a sonic interaction designer …