Copyright and use of this thesis Page 1 Copyright and use of this thesis This thesis must be
used in accordance with the provisions of the Copyright Act 1968. Reproduction of material …

The widespread discourse of 'truth'in theatre is problematic. Truth, as that which exists
objectively before verification or as the correspondence between propositions and the world …

This essay proceeds with accounts of actors in rehearsals for two theatre productions. The
first is taken from my field notes; the second is from a newspaper interview. During a …

British theatre company Punchdrunk are global leaders within the creative industries and
are widely regarded as one of the founders of today's immersive theatre phenomenon. Their …

This writing discusses the work of Welsh based dance-theatre company Cyrff Ystwyth.
Persistent hegemonic positioning of art activity as a way of supporting particular groups and …

This thesis examines the relationship between aesthetic performance practices and clinical
experiences in medical education. Social reforms through the past fifty years have …

This thesis examines the emerging discourse of interactivity within the field of theatre and
performance studies. The early 21st century has seen a proliferation of theatrical works …

Résumé L'étude s' inscrit dans le champ de la recherche-création en pratiques théâtrales,
plus précisément j'examine les processus de création scénique d'une modalité de …

How are theatre-techniques used in business training? Do theatre-making skills represent a
unique field of knowledge? In this case study, I consider the National Institute of Dramatic …

Ben Power occupies an unusual place in contemporary British theatre and, indeed, the
National Theatre itself. This chapter focuses on three different versions of Power's Medea as …