Improved score-performance matching using both structural and temporal information from MIDI recordings
B Gingras, S McAdams - Journal of New Music Research, 2011 - Taylor & Francis
Automated score-performance matching is a complex problem due to the use of expressive
timing by performers and the presence of notes that are unspecified in the score, such as …
timing by performers and the presence of notes that are unspecified in the score, such as …
Analysis, performance, and tension perception of an unmeasured prelude for harpsichord
M Goodchild, B Gingras… - Music Perception: An …, 2016 - online.ucpress.edu
This study focuses on the relationships between music analysis, performance, and tension
perception. Part 1 examines harpsichordists' analyses and performances of an unmeasured …
perception. Part 1 examines harpsichordists' analyses and performances of an unmeasured …
Individuality in harpsichord performance: disentangling performer-and piece-specific influences on interpretive choices
B Gingras, PY Asselin, S McAdams - Frontiers in Psychology, 2013 - frontiersin.org
Although a growing body of research has examined issues related to individuality in music
performance, few studies have attempted to quantify markers of individuality that transcend …
performance, few studies have attempted to quantify markers of individuality that transcend …
Encoding music performance data in Humdrum and MEI
J Devaney, H Léveillé Gauvin - International Journal on Digital Libraries, 2019 - Springer
This paper proposes extensions to two existing music encoding formats, Humdrum and
Music Encoding Initiative (MEI), in order to facilitate linking music performance data with …
Music Encoding Initiative (MEI), in order to facilitate linking music performance data with …
Perceiving individuality in harpsichord performance
R Koren, B Gingras - Frontiers in psychology, 2014 - frontiersin.org
Can listeners recognize the individual characteristics of unfamiliar performers playing two
different musical pieces on the harpsichord? Six professional harpsichordists, three prize …
different musical pieces on the harpsichord? Six professional harpsichordists, three prize …
Elucidating musical structure through empirical measurement of performance parameters
J MacRitchie - 2011 - theses.gla.ac.uk
The differences between a musical score and an instance of that music in a performance,
communicates a performer's view of the information contained in that score. The main …
communicates a performer's view of the information contained in that score. The main …
[PDF][PDF] Expressive gesture in Grieg's recordings of two Op. 43 Lyric Pieces: An exploratory principal components analysis.
G Volioti - Music Performance Research, 2019 - academia.edu
Historical recordings embody the material traces of legendary performers from the past and
can offer an inspirational resource for modern interpreters. Despite their limitations, early …
can offer an inspirational resource for modern interpreters. Despite their limitations, early …
Influence of melodic emphasis, texture, salience, and performer individuality on performance errors
B Gingras, C Palmer, PN Schubert… - Psychology of …, 2016 - journals.sagepub.com
We investigated the influence of melodic emphasis, musical texture, musical salience, and
performer individuality on the distribution and frequency of errors in keyboard performance …
performer individuality on the distribution and frequency of errors in keyboard performance …
" Life, Color, Warmth and Truth": Expressive timing in German late Romantic organ music
Y Draginda, I Fujinaga - Per Musi, 2020 - periodicos.ufmg.br
This paper proposes a mathematical model for expressive timing in German late Romantic
organ music based on Riemannian phrasing principles. The model is built following the …
organ music based on Riemannian phrasing principles. The model is built following the …
Conveying Expressivity and Individuality in Keyboard Performance
B Gingras - The Routledge Companion to Embodied Music …, 2017 - taylorfrancis.com
This chapter explores the communication of expressivity and artistic individuality in keyboard
performance, using as a starting point Kendall R. A and Carterette E. C'. s tripartite model of …
performance, using as a starting point Kendall R. A and Carterette E. C'. s tripartite model of …