[图书][B] Presence in depth

WA IJsselsteijn - 2004 - researchgate.net
Parrhasios, it is recorded, entered into a competition with Zeuxis, who produced a picture of
grapes so successfully represented that birds flew up to the stage buildings [in the theater …

Subjective evaluation of stereoscopic images: Effects of camera parameters and display duration

WA IJsselsteijn, H de Ridder… - IEEE Transactions on …, 2000 - ieeexplore.ieee.org
Two experiments are presented that were aimed to investigate the effects of stereoscopic
filming parameters and display duration on observers' judgements of naturalness and …

Evaluation of stereoscopic images: beyond 2D quality

M Lambooij, W IJsselsteijn… - IEEE transactions on …, 2011 - ieeexplore.ieee.org
Perceived image quality is a standard evaluation concept for 2D imaging systems. When
applied to stereoscopic 3D imaging systems, however, it does not incorporate the added …

The implications of interpupillary distance variability for virtual reality

PB Hibbard, LCJ van Dam… - … conference on 3D …, 2020 - ieeexplore.ieee.org
Creating and presenting binocular images for virtual reality and other 3D displays needs to
take account of the interpupillary distance-the distance between the user's eyes. While VR …

The apparent reality of movies and emotional arousal: A study using physiological and self-report measures

B Rooney, C Benson, E Hennessy - Poetics, 2012 - Elsevier
Historical developments of cinema technology have contributed to the apparent reality of
movie-goers' experience. The current study uses both self-report and physiological …

How passive image viewers became active multimedia users: New trends and recent advances in subjective assessment of quality of experience

JA Redi, Y Zhu, H De Ridder, I Heynderickx - Visual signal quality …, 2015 - Springer
Subjective assessment of quality of experience (QoE) is key to understanding user
preferences with respect to multimedia fruition. As such, it is a necessary step to multimedia …

Actually in the cinema: A field study comparing real 3D and 2D movie patrons' attention, emotion, and film satisfaction

B Rooney, E Hennessy - Media Psychology, 2013 - Taylor & Francis
While 3D movies and fantasy film genre rise in popularity, the empirical exploration of
viewers' cognitive and emotional engagement with film is currently limited and entirely …

Magnitude, precision, and realism of depth perception in stereoscopic vision

PB Hibbard, AE Haines, RL Hornsey - Cognitive Research: Principles and …, 2017 - Springer
Our perception of depth is substantially enhanced by the fact that we have binocular vision.
This provides us with more precise and accurate estimates of depth and an improved …

[PDF][PDF] Visual experience of 3D TV

P Seuntiens - doctor doctoral thesis, Eindhoven University of …, 2006 - Citeseer
Since the introduction of television, much has been done to improve the overall experience
of viewers. Improvements in color, picture quality, sound quality, and increasing involvement …

Subjective study on compressed asymmetric stereoscopic video

P Aflaki, MM Hannuksela, J Häkkinen… - … on Image Processing, 2010 - ieeexplore.ieee.org
Asymmetric stereoscopic video coding takes advantage of the binocular suppression of the
human vision by representing one of the views with a lower quality. This paper describes a …