Playing Funny Games in The Last House on the Left: The uncanny and the 'home invasion' genre

M Fiddler - Crime, Media, Culture, 2013 - journals.sagepub.com
This article dredges the 'reservoirs of dogma'and 'symbolic lagoons of social fears' to locate
the 'home invasion'film genre within its diachronic and synchronic contexts. As such, we will …

A 'system of light before being a figure of stone': The phantasmagoric prison

M Fiddler - Crime, Media, Culture, 2011 - journals.sagepub.com
This article explores the uncanny interplay between folk and official readings of Victorian
prison architecture. From building designs to cinematic depictions, the visual underpins any …

[PDF][PDF] Realism, Urban Conflict and Spatial Segregation in New Brazilian Cinema

AF de Carvalho Frey - researchgate.net
Abstract The New Brazilian Cinema (from the mid-1990s) has been celebrated as a period
of re-birth for the national film industry. Not only has there been a considerable increase in …

That noir passage between Europe and America.

A D'Elia - 2014 - keele-repository.worktribe.com
A group of American and European films in the forties and fifties are characterised by a dark
atmosphere and morbid fascination with crime and violent death. Normally populated by …

Realism, Urban Conflict and Spatial Segregation in New Brazilian Cinema

A Frey - 2013 - otago-researchportal.esploro …
Realism, Urban Conflict and Spatial Segregation in New Brazilian Cinema - University of Otago
Logo image Menu Outputs Thesis Deposit Guide FAQs for Otago Researchers Guides & …

[引用][C] Following the Gaze:(re) locating the Prison as a Site of Dark Tourism

D Urquhart - 2020 - University of Leicester