Implicit experiences as a determinant of perceptual quality and aesthetic appreciation

WA Mansilla, A Perkis, T Ebrahimi - Proceedings of the 19th ACM …, 2011 - dl.acm.org
Since the Dadaist refusal of the conventional standards in art, followed by Fluxusrejection of
art as a commodity, and recently, the popularity of Internet and technology in art, artworks …

The effect of color on emotions in animated films

AJ Kennedy - 2014 - search.proquest.com
Lighting color in animated films is usually chosen very carefully in order to portray a specific
mood or emotion. Artists follow conventional techniques with color choices with the intention …

[HTML][HTML] Quality of Aesthetic Experience and Implicit Modulating Factors

WAC Mansilla - 2013 - ntnuopen.ntnu.no
Since the Dadaist refusal of the conventional standards in art, followed by several
movements rejecting art as a commodity, and recently, the popularity of Internet and digital …

[PDF][PDF] Quality of experience (QoE) in multimedia applications

A Perkis - SPIE Newsroom, 2013 - academia.edu
One of the standard quality assessment methods for networked delivery of multimedia
presentations is called quality of service (QoS), which specifically measures the throughput …

Exploring the impact of food craving and pleasure technologies on aesthetic experience in digital media

WA Mansilla, A Perkis, T Ebrahimi - International Journal of Human …, 2014 - Taylor & Francis
Humans are known to be good in creating pleasure technologies. In fact, some evolutionary
psychologists believe that aesthetic experiences are biologically hardwired. This article …

Flick flock: the distant and distinct characteristics of the masses in immersive aesthetic space

WA Mansilla, J Puig, A Perkis, T Ebrahimi - ACM SIGGRAPH ASIA 2010 …, 2010 - dl.acm.org
This presentation elaborates on the phenomenon of distance and distinctiveness behind an
installation called Flick Flock (2009). The installation uses embodied interaction to explore …