An overview of machine learning and other data-based methods for spatial audio capture, processing, and reproduction

M Cobos, J Ahrens, K Kowalczyk, A Politis - EURASIP Journal on Audio …, 2022 - Springer
The domain of spatial audio comprises methods for capturing, processing, and reproducing
audio content that contains spatial information. Data-based methods are those that operate …

Higher-order spatial impulse response rendering: Investigating the perceived effects of spherical order, dedicated diffuse rendering, and frequency resolution

L McCormack, V Pulkki, A Politis… - Journal of the Audio …, 2020 - research.aalto.fi
This article details an investigation into the perceptual effects of different rendering
strategies when synthesizing loudspeaker array room impulse responses (RIRs) using …

Optimizations of the spatial decomposition method for binaural reproduction

SV Amengual Garí, JM Arend, PT Calamia… - Journal of the Audio …, 2021 - aes.org
The spatial decomposition method (SDM) can be used to parameterize and reproduce a
sound field based on measured multichannel room impulse responses (RIRs). In this paper …

Six-degrees-of-freedom parametric spatial audio based on one monaural room impulse response

JM Arend, SVA Garí, C Schissler, F Klein… - Journal of the Audio …, 2021 - aes.org
Parametric spatial audio rendering is a popular approach for low computing capacity
applications, such as augmented reality systems. However most methods rely on spatial …

CHR vs. Human‐Computer Interaction Design for Emerging Technologies: Two Case Studies

S Murad, A Qusef, M Muhanna - Advances in Human‐Computer …, 2023 - Wiley Online Library
Recent years have seen a surge in interest in the multifaceted topic of human‐computer
interaction (HCI). Since the advent of the Fourth Industrial Revolution, the significance of …

Flexible binaural resynthesis of room impulse responses for augmented reality research

SVA Garí, WO Brimijoin, HG Hassager… - EAA Spatial Audio …, 2019 - hal.science
A basic building block in audio for Augmented Reality (AR) is the use of virtual sound
sources layered on top of any real sources present in an environment. In order to perceive …

Four-directional ambisonic spatial decomposition method with reduced temporal artifacts

E Hoffbauer, M Frank - Journal of the Audio Engineering Society, 2022 - aes.org
For the creation of convincing virtual acoustics of existing rooms and spaces, it is useful to
apply measured Ambisonic room impulse responses (ARIRs) as a convolution reverb …

[HTML][HTML] Perceptual roughness of spatially assigned sparse noise for rendering reverberation

N Meyer-Kahlen, SJ Schlecht, T Lokki - The Journal of the Acoustical …, 2021 - pubs.aip.org
Multichannel auralizations based on spatial room impulse responses often employ sample-
wise assignment of an omnidirectional response to form loudspeaker responses. This leads …

Geometrical acoustics simulations for ambisonics auralization of a car sound system at high frequency

D Pinardi, K Riabova, M Binelli… - 2021 Immersive and …, 2021 - ieeexplore.ieee.org
Nowadays, numerical simulations are the key tool for car audio systems and interiors
design, since they allow estimating the acoustic response, thus the listening experience …

[PDF][PDF] Analysis of trumpet performance adjustments due to room acoustics

SA Gari, M Kob, T Lokki - International Symposium on Room …, 2019 - research.aalto.fi
In a musical performance, musician, instrument and room form a closed feedback loop that
continuously shapes the generated sound. A virtual acoustic environment was developed to …