" In the wake of intense globalisation and commercialisation in the 1990s, China saw the
emergence of a vibrant popular culture. Drawing on sixteen years of research, Jeroen de …

In this article, the authors address the question of whether and how the appreciation of
popular music consumers has globalized in the four decades since the mid-1960s. They use …

This article will revisit the beginnings of the spread of Korean popular entertainment in
China in the mid-1990s to early 2000s by examining the contents of previously untapped …

Since embarking on its course of economic reform and opening up to the world in the late
1970s, China has moved from a planned economy to a socialist-market economy; the …

Popular music has long understood that human rights, if attainable at all, involve a struggle
without end. The right to imagine an individual will, the right to some form of self …

Guangzhou is a large Chinese city like many others. With a booming economy and
abundant job opportunities, it has become a magnet for rural citizens seeking better job …

Scarce attention has been paid to the dimension of sound and its essential role in
constructing image, culture, and identity in Chinese film and media. China in the Mix fills a …

Popular music in G uangzhou can be considered as a noise that applies social and political
power to challenge the mainstream aesthetics and ideologies, rather than a low culture that …

Ya-Hui Cheng examines the emergence of popular music genres–jazz, rock, and hip-hop–in
Chinese society, covering the social underpinnings that shaped the development of popular …

Popular music has long understood that human rights, if attainable at all, involve a struggle
without end. The right to imagine an individual will, the right to some form of self …