In this chapter, we postulate an integral concept of information processing in the universe,
on the basis of a new biophysical principle, coined the generalized music (GM)-scale of EMF …

We present a review on perception and cognition models designed for or applicable to
music. An emphasis is put on computational implementations. We include findings from …

Music is an art form which is realized in time. This dissertation presents computational
methods for examining the temporality of music at multiple time-scales so that both short …

In this paper, I propose that embodied cognition in music has two distinct levels. The
“surface” level relates to the apparent corporeal articulation such as the activated …

Our earlier work showed that the band pattern of electro-magnetic (EMF) wave frequency
eigenstates of both inanimate and animate systems can be described by a Pythagorean-like …

Quantum cognition emerged as an important discipline of mathematical psychology during
the last two decades. Using abstract analogies between mental phenomena and the formal …

Tonality has been the cornerstone of Western music-theoretical discourse for centuries. This
study addresses the subject, using traditional music analysis, data-driven corpus methods …

Diachronic stylistic changes in music are to a large extent affected by composers' different
choices, for example regarding the usage of tones, intervals, and harmonies. Analyzing the …

An attempt is made to model the structure of science and art discovery processes in the light
of currently defined ideas on the societal flow of knowledge and conservation of information …

Here, I describe how I came to believe that the musical scales and tonal systems of diverse
human cultures reflect both (a) underlying, universal principles of cognition, including a …