With the advent of digital technologies, the computer has become a generalized tool for
music production. Music can be seen as a creative form of human–human communication …

A proposal that an embodied cognition approach to music research—drawing on work in
computer science, psychology, brain science, and musicology—offers a promising …

In New Digital Musical Instruments Eduardo Miranda and Marcelo Wanderley focus on
musical instruments that use the computer as the main sound-generating device. Such …

In the last decade, cognitive science underwent a paradigm shift by bringing human
movement into the focus of research. Concepts such as embodiment and enactive have …

This article presents results from an ongoing exploratory analysis of ancillary gestures of
several advanced clarinetists playing standard concert solo repertoire. We build upon our …

Body movement is integral to both performance and perception of music, and this
dissertation suggests that we also think about music as movement. Based on ideas of …

This article describes physical modelling techniques that can be used for simulating musical
instruments. The methods are closely related to digital signal processing. They discretize the …

Exponential increases of available computational resources, miniaturization, and sensors,
are enabling the development of digital musical instruments that use non-conventional …

Machine learning is the capacity of a computational system to learn structures from datasets
in order to make predictions on newly seen data. Such an approach offers a significant …

This article reports on an interdisciplinary research project on movement sonification for
sensori-motor learning. First, we describe different research fields which have contributed to …