We explore the capacity for music in terms of five questions:(1) What cognitive structures are
invoked by music?(2) What are the principles that create these structures?(3) How do …

Empirical research on music performance has increased considerably during recent
decades. This article updates the review of the research up to 1995 published by the current …

In the first comprehensive study of the relationship between music and language from the
standpoint of cognitive neuroscience, Aniruddh D. Patel challenges the widespread belief …

Music performance is typically a collective affair, with multiple individuals coming together in
ensembles of varying size and composition. Although aesthetic and social goals of …

The aim of this chapter is to give an overview of research relating to the temporal aspects of
music perception and cognition. This topic has quite a history as a research topic, having …

The natural rhythms of speech help a listener follow what is being said, especially in noisy
conditions. There is increasing evidence for links between rhythm abilities and language …

Musical Rhythm in the Age of Digital Reproduction presents new insights into the study of
musical rhythm through investigations of the micro-rhythmic design of groove-based music …

The purpose of this paper is to provide a model of consumer response to music in broadcast
commercials outlining four variables (listening situation, musical stimulus, listener …

Literatur Page 1 Literatur Adler, Guido (1911 ): Der Stil in der Musik, Leipzig. Adorno, Theodor
W. (1941 ): On Popular Music, Zeitschrift für Sozialforschung, 9, s. Agawu, Kofi (1987): The …

A musical performance renders an acoustic realization of a musical score or other
representation of a composition. Different performances of the same composition may vary …