Abstract In 1994, PJ Harvey and Björk covered the Rolling Stones'“(I Can't Get No)
Satisfaction”(1965) at the BRIT Awards ceremony. As part of the mainstreaming of cultural …

An investigation of sexual themes in electronic music since the 1950s, with detailed case
studies of “electrosexual music” by a wide range of creators. In Sex Sounds, Danielle …

This article investigates the spatial mechanisms through which cultural commodities are
'reworked'to become bound up in localised forms of white hegemony through a case study of …

Equally theoretical provocation and relational enquiry, my thesis asks how music may be
understood as critical social theory. Drawing on intersectionality, critical race theory, queer …

Abstract The film Futur Drei, directed by Faraz Shariat and released in 2020, offers a theory
of the present from queer of color perspectives. It locates queer possibility not only in lost …

EDM is notorious for having copious genres and subgenres. There are many facets of EDM
genre distinctions, but this article focuses on one musical aspect: the utilization of …

As queer television and film become central to streaming providers, it raises questions about
the relationship between the “transnational” and the “mainstream.” This chapter argues for a …

The Party, a 'song'produced in 1988 in New York by Haitian musician Richard Jean Laurent,
had a strong impact on the reception of house music in the European cultural context. An …

This chapter wrestles with the legacies of Europe (as a colonial power, as a center for
knowledge production, etc.) but also highlights contemporary musical responses to that …

The sonic episteme refers how sound and music can manifest and recreate rigid systems of
white, patriarchal, hereto/cisnormativity even when it is trying to claim diversity and …