Movienet: A holistic dataset for movie understanding

Q Huang, Y Xiong, A Rao, J Wang, D Lin - Computer Vision–ECCV 2020 …, 2020 - Springer
Recent years have seen remarkable advances in visual understanding. However, how to
understand a story-based long video with artistic styles, eg movie, remains challenging. In …

A unified framework for shot type classification based on subject centric lens

A Rao, J Wang, L Xu, X Jiang, Q Huang, B Zhou… - Computer Vision–ECCV …, 2020 - Springer
Shots are key narrative elements of various videos, eg movies, TV series, and user-
generated videos that are thriving over the Internet. The types of shots greatly influence how …

Long-range multimodal pretraining for movie understanding

DM Argaw, JY Lee, M Woodson… - Proceedings of the …, 2023 - openaccess.thecvf.com
Learning computer vision models from (and for) movies has a long-standing history. While
great progress has been attained, there is still a need for a pretrained multimodal model that …

The anatomy of video editing: A dataset and benchmark suite for ai-assisted video editing

DM Argaw, FC Heilbron, JY Lee, M Woodson… - … on Computer Vision, 2022 - Springer
Abstract Machine learning is transforming the video editing industry. Recent advances in
computer vision have leveled-up video editing tasks such as intelligent reframing …

On the influence of shot scale on film mood and narrative engagement in film viewers

S Benini, M Savardi, K Balint… - IEEE Transactions …, 2019 - ieeexplore.ieee.org
The perceived distance of the camera from the subject of a filmed scene, namely shot scale,
is a prominent formal feature of any filmic product, endowed with both stylistic and narrative …

Shot scale analysis in movies by convolutional neural networks

M Savardi, A Signoroni, P Migliorati… - 2018 25th IEEE …, 2018 - ieeexplore.ieee.org
The apparent distance of the camera from the subject of a filmed scene, namely shot scale,
is one of the prominent formal features of any filmic product, endowed with both stylistic and …

Content-based prediction of movie style, aesthetics, and affect: Data set and baseline experiments

J Tarvainen, M Sjöberg, S Westman… - IEEE Transactions …, 2014 - ieeexplore.ieee.org
The affective content of a movie is often considered to be largely determined by its style and
aesthetics. Recently, studies have attempted to estimate affective movie content with …

Shot scale distribution in art films

S Benini, M Svanera, N Adami, R Leonardi… - Multimedia Tools and …, 2016 - Springer
The scale of shot, ie the apparent distance of the camera from the main subject of a scene, is
one of the main stylistic and narrative functions of audiovisual products, conveying meaning …

Jointly learning the attributes and composition of shots for boundary detection in videos

X Jiang, L Jin, A Rao, L Xu, D Lin - IEEE Transactions on …, 2021 - ieeexplore.ieee.org
In film making, shot has a profound influence on how the movie content is delivered and how
the audiences are echoed, where different emotions and contents can be delivered through …

A lightweight weak semantic framework for cinematographic shot classification

Y Li, T Lu, F Tian - Scientific Reports, 2023 - nature.com
Shot is one of the fundamental unit in the content structure of a film, which can provide
insights into the film-director's ideas. By analyzing the properties and types of shots, we can …